Ranky Tanky

“Lively, soulful honey to the ears” - NPR
 
“It’ll heal you: island music that peps up the body and enriches the soul.” - No Depression

In 2020, right before the pandemic, Ranky Tanky went from playing our stage in an epic performance, to walking into their first GRAMMY® win the very next day for Best Regional Roots Music Album. They won again in the same category in 2023. Their epic ballad “Beat Em Down” is an anthem for our times.

FEATURED ARTISTS:

Quentin E. Baxter, drums
Kevin Hamilton, bass
Quiana Parler, vocals
Clay Ross, guitar, vocals
Charlton Singleton, trumpet, vocals
 

Ranky Tanky have achieved many firsts for South Carolina’s West African-rooted Gullah community since their formation, earning yet another milestone at the 2019 GRAMMY® Awards by taking home the Best Regional Roots Album prize for their sophomore release, Good Time. The album, which also hit No. 1 on Billboard’s Contemporary Jazz Chart, combines songs carried down through generations in the Sea Islands of the Southeastern United States with the band’s own original compositions in the Gullah tradition. In Ranky Tanky’s hands, this style of music has been described as “soulful honey to the ears” (NPR) while being covered by the New York Times, NPR’s Fresh Air and The TODAY Show, who had the band on for a performance.

Ranky Tanky (a Gullah phrase for “get funky”) are five lifelong friends from Charleston, South Carolina who have established themselves as passionate global ambassadors for their local culture and community, helping to faithfully preserve the traditions originated by African Americans in the coastal South during slavery that are kept alive through the present day. The band have been featured on NPR’s Fresh Air, The Today Show, PBS Newshour and The Late Show with Stephen Colbert #playathome. Ranky Tanky were honored to be featured artists in President Biden’s inauguration event, We The People. They were the subjects of a 10-page profile in Oxford American’s South Carolina Music Issue and were named 2020 Artist of The Year by the Charleston City Paper.